Publicações

Livros / Books
  1. Veiga, Pedro Alves. O Museu de Tudo em Qualquer Parte. Arte e Cultura Digital: inter-ferir e curar. Coimbra, Portugal: Grácio Editor, CIAC. 2020.
  2. Veiga, Pedro Alves. You&Me (the infinite constellation of our senses). Portugal: Artech International. 2018.
  3. Veiga, Pedro Alves. Principium. San Francisco, United States: Blurb. 2016.
Tese / Thesis
  1. Veiga, Pedro Jorge Agostinho Alves da; Tavares, Mirian Nogueira; Alvelos, Helder Manuel Pereira Pinto da Cunha e. “Experiência e atenção : construção e constrição de ecossistemas de média-arte digital”. PhD, 2018.
Capítulos / Chapters
  1. Veiga, Pedro Alves. “Realidade Pós-Fake: Uma Visão Através da Arte Digital”. In Cenários Comunicacionais: Novos Diálogos, edited by Silva, Lawrenberg; Yánez, Cristian; Ricarte, Elmano. Porto, Portugal: Media XXI, 2021.
  2. Veiga, Pedro Alves. “A/r/cografia – A Criatividade Investigada na Investigação Criativa”. In Investigação-Experimentação-Criação: em Arte-Ciência-Tecnologia, edited by Diogo Marques; Ana Gago, 51-74. Porto, Portugal: Publicações Universidade Fernando Pessoa, 2020.
  3. Veiga, Pedro Alves. “Blended Reality: An analysis through the recent evolution of digital media art ecosystems”. In Con la Red / En la Red. Creación, investigación y comunicación cultural y artística en la era Internet, 420-442. New York, United States: Downhill Publishing, 2017.
  4. Veiga, Pedro Alves. “Ecossistemas na blended-society: a experiência da média-arte digital”. In CIBERCULTURA: Circum-navegações em redes transculturais de conhecimento, arquivos e pensamento, 115-132. Vila Nova de Famalicão, Portugal: EDIÇÕES HÚMUS, 2017.
  5. Veiga, Pedro Alves; Tavares, Mirian; Alvelos, Heitor. “Toward a B-Society Model”. In User Innovation and the Entrepreneurship Phenomenon in the Digital Economy, 194-216. Hershey, PA, United States: IGI Global, 2017.
    DOI • 10.4018/978-1-5225-2826-5.ch010
  6. Veiga, Pedro Alves. “Enhancement of Russian creative education: new post-graduation programme in digital art practice”. In Russian creative education in Digital Arts, 26-42. Moscovo, Russia: University of Moscow, 2016.
  7. Veiga, Pedro Alves. “Travelling – different ways/eyes for creative education”. In Russian Creative Education in Digital Arts, 43-57. Moscovo, Russia: University of Moscow, 2016.
  8. Veiga, Pedro Alves; João Ribeiro da Costa; J. N. Neves; José Pina Coelho. “As Ferramentas Cliente/Servidor”. In Sinaia 3.0. Lisboa, Portugal: Direcção Geral da Qualidade do Ambiente, SDI, Uninova, 1991.
Revistas / Journals
  1. Veiga, Pedro Alves. “Curating the Everywhere Museum of Everything”Digital Creativity (2020): 1-10. http://dx.doi.org/10.1080/14626268.2020.1782438.
    Open access DOI • 10.1080/14626268.2020.1782438
  2. Veiga, Pedro Alves. “Arte Quântica”Interact, Revista Online de Arte, Cultura e Tecnologia, Centro de Estudos de Comunicação e Linguagens e CIC.Digital, Pólo FCSH, ISSN 2182-1402 30 (2019)
  3. Dias, José Rodrigues; Penha, Rui; Morgado, Leonel; Veiga, Pedro Alves; Carvalho, Elizabeth Simão; Fernandes-Marcos, Adérito. “Tele-Media-Art: Feasibility Tests of Web-Based Dance Education for the Blind Using Kinect and Sound Synthesis of Motion”International Journal of Technology and Human Interaction 15 2 (2019): 11-28.
    DOI • 10.4018/ijthi.2019040102
  4. Veiga, Pedro Alves. “Generative Theatre of Totality”Journal of Science and Technology of the Arts 9 3 (2017): 33-43. DOI • 10.7559/citarj.v9i3.422
  5. Veiga, Pedro Alves. “Alchimia”International Journal of Creative Interfaces and Computer Graphics 8 2 (2017): 13-22. DOI • 10.4018/ijcicg.2017070102
  6. Veiga, Pedro Alves; Tavares, Mirian; Alvelos, Heitor. “How Experience, Attention and Ubiquity Economies Affect the Role of Digital Media Art and Artists”Journal of Spatial and Organizational Dynamics V 3 (2017): 222-238.
Conferências / Conferences
  1. Veiga, Pedro Alves; Travasso, Rui. “Auschwitz do Pós-Moderno: Ação ou Abstenção?”. Paper presented in ARTeFACTo 2020, International Conference on Digital Creation in Arts and CommunicationFaro, 2020.
  2. Veiga, Pedro Alves. “Hello, An Interactive Cinematic Generative Artwork”. Paper presented in Eleventh International Conference on Computational CreativityCoimbra, 2020.
  3. Veiga, Pedro Alves. “Speciesism | Ageism | Racism”. Paper presented in Avanca Cinema 2020Avanca, 2020.
  4. Veiga, Pedro Alves. “A/r/cography: Art, Research and Communication”. Paper presented in Artech 2019, 9th International Conference on Digital and Interactive ArtsBraga, 2019.
    DOI • 10.1145/3359852.3359859
  5. Marques, Ana; Veiga, Pedro Alves. “Digital Artivism and Collaborative Artistic Practice”. Paper presented in Artech 2019, 9th International Conference on Digital and Interactive ArtsBraga, 2019. DOI •
    10.1145/3359852.3359863
  6. Veiga, Pedro Alves. “Digital Art in the Age of Blackboxing and Blurring”. Paper presented in Fourteenth International Conference on The Arts in SocietyLisboa, 2019.
  7. Veiga, Pedro Alves. “Principium: investigação criativa versus criatividade investigada”. Paper presented in I Encontro UFP de Estudos sobre Investigação CriativaPorto, 2019.
  8. Veiga, Pedro Alves. “You&Me (the infinite constellation of our senses)”. Paper presented in Artefacto 2018Lisboa, 2018.
  9. Veiga, Pedro Alves. “The Everywhere Museum of Everything”. Paper presented in Audiences 2030 – Imagining a future for audiencesLisbon, 2017.
  10. Veiga, Pedro Alves. “Alchimia”. Paper presented in Artech 2017, 8th International Conference on Digital ArtsMacau, 2017.
    DOI • 10.1145/3106548.3106590
  11. Veiga, Pedro Alves. “From Generative to Performing”. Paper presented in xCoAx 2017 – Lisbon, 2017.
  12. Veiga, Pedro Alves; Tavares, Mirian Nogueira; Alvelos, Heitor. “How experience, attention and ubiquity economies affect the role of digital media art and artists.”. Paper presented in II International Congress on Interdisciplinarity in Social and Human SciencesFaro, 2017.
  13. Veiga, Pedro Alves; Tavares, Mirian; Alvelos, Heitor. “Ecossistemas na blended-society: a experiência da média-arte digital.”. Paper presented in Congresso de Cibercultura: Circum-navegações em Redes Transculturais de Conhecimento, Arquivos e PensamentoBraga, 2016.
  14. Veiga, Pedro Alves. “Alchimia: an inexplicable or mysterious transmutation, a seemingly magical process of transformation, creation or combination”. Paper presented in Expressive Computational Aesthetics 2016Lisboa, 2016.
    DOI • 10.13140/RG.2.1.2071.6407
  15. Veiga, Pedro Alves. “Bridging the divide: e-society or ecosystem? An analysis through digital-media art”. Paper presented in 14th International Conference on e-Society 2016Vilamoura, 2016.
  16. Veiga, Pedro Alves; João Ribeiro da Costa; José Pina Coelho. “The National Environmental Quality Information System: The End-User Interface”. Paper presented in 3rd International Software Exhibition for Environmental Science and Engineering, Como, ItalyComo, 1992.
  17. Veiga, Pedro Alves. “Autómatos Celulares – simulação multidimensional multi-informativa”. Paper presented in 4º Encontro Português de Computação GráficaLisboa, 1991.
Editor
  1. Veiga, Pedro Alves. Proceedings of Artech 2019, 9th International Conference on Digital and Interactive Arts. Nova Iorque, United States: ACM. 2019.
  2. Veiga, Pedro Alves. Proceedings of 1st International Conference on Transdisciplinary Studies in Arts, Technology and Society, ARTeFACTo 2018. Lisboa, Portugal: Artech-International. 2018.
Editor revista / Journal editor
  1. Veiga, Pedro Alves; Tavares, Mirian. “Special Issue on Advances in Digital Media-Art”International Journal of Creative Interfaces and Computer Graphics 11 1 (2020)
Prefácios / Prefaces
  1. Veiga, Pedro Alves; Tavares, Mirian. “The End of Imperviousness”. Preface to International Journal of Creative Interfaces and Computer Graphics, Special Issue on Advances in Digital Media-Art, edited by Veiga, Pedro Alves; Tavares, Mirian, v-viii. Hershey, PA, United States: IGI-Global. 2020.